Face Masks – Be Resourceful!

Back in the Olden Days* people used to cough and sneeze into a handkerchief.

Medical masks have a strict criteria and are precisely made with specialized materials.  Outside of that world, homemade masks can help reduce the outward spray of droplets from a cough or sneeze.  Think of Homemade Masks as a constantly worn handkerchief.

With experience in garment making we were full of suggestions for handsewn masks (consider a box pleat rather than knife pleats, etc.).  Then we figured that everyone with that skill set is already problem-solving and has advice to offer to us!

So this blog post will focus on coming up with creative solutions to cover your nose and mouth using materials at hand.

A brief note about our Styrofoam Head Model:  nothing fits her well – she has no ears!

Dish Cloth Bandhana

This idea is a good grab and go, launder often option.  This is big enough to cascade over the shoulders.

Our Great Grandmother embroidered this dish cloth:

 

 

 

 

 

 

 

 

 

Kitchen towel mask – a more secure variation.

Also, it has the advantage of being able to eat and drink through a straw while wearing.

                            Supply list

  1. woven towel (this one is from a $store)
  2. two safety pins (or sew on buttons or snaps)
  3. Gift ribbon (or anything long and flexible like shoe laces, strips of fabric, etc. . .)

 

 

 

 

Fold towel on the diagonal.  The bias allows the material to curve up over the nose better.

Measure your face by stretching your hand pinky to thumb from temple to temple.  Place two safety pins this far apart , centered, one inch from the folded edge.  Make certain that the points are aimed down, away from your eyes.  Or stitch on the ribbon ends in the third step.

 

Tie on ribbons to the pins, or stitch on, long enough to tie around your head.

 

Fold down the excess fabric above the pins so that it points to the center.

Front view:

Back view:

All finished!

 

 

Clothing, worn backwards

This has a couple advantages.  It can match a uniform if a Deemed Essential Job requires it.  And probably more importantly, small children may be willing to play the “Let’s wear our shirts backwards game ” or more simply “Let’s dress silly today!”!

Notice  on this turtleneck, sweatshirt and t-shirt how the back of the necks are cut higher than the fronts.  This extra fabric can cover the mouth and nose if worn backwards.  This is a good way to use outgrown clothing,  a child’s size t-shirt makes a good mask for an adult woman, or temporarily stitch the neck smaller to fit as we did for the sweatshirt on the mannequin photograph.

You can increase the barrier with a second  step.  Pin or stitch the sleeves in front:

 

 

Clothing, a more fitted version.

Wear a hoody backwards!  Notice how the curve of the hood matches a facemask curve.  Attach ribbon, cords, yarn or fabric tapes with snaps, buttons, safety pins (point away from the eyes!), staples or even sew on. Use a garment with an attached hood, or a detachable one for more freedom of movement.

Please remember to let your Creativity in on your problem solving.  You may be surprised at what your intuition inspires!

  • Be Resourceful
  • Be Mindful
  • Be Thoughtful
  • Be Well

We hope this helps ease some worries.

from Allyson and Kristin

 

*When men used to tuck in their shirts and women wore their underwear under clothes!

Color Spinning Exercise, Part III: Hand-dyed Heartsease

The next composition to come out of this fiber stash is from the Viola Tricolor family, a Heartsease flower (a.k.a. Johnny-Jump-Up),  inspired by a sketch in Kristin’s sketch pad.

 

Hand-dyed *Heartsease

Playmate to “What if?” is “Why not?”  While not botanically accurate color-wise, it was fun to break the the rules and work large scale too.  Also, we figured after featuring an article about a sunflower that wished to turn red, we might as well continue with another red flower (the “tricolor” part of the name usually is purple, violet and pale yellow).  Remember, when designing, you are also creating the rules as you go along.

 

Fiber that went into the Heartsease.  Ready for the next stage . . .

 

A light carding was just the thing to let those fibers draw out!  Here, arranged by colors.

 

Trying out another way to arrange the colors in the skein (works well in small spaces and with minimal equipment).  Perhaps this will lead to a series of wool omlettes, burritos, or Dagwood Sandwich!

 

After arranging the fiber colors in rows and layers, a wooden dowel helps to roll everything in a tidy cylinder.

 

The next step is to patiently draw out the roll of fibers into a progressively thinner and longer bundle, this stage is called “pre-drafting”.

 

Gently rolling the pre-drafted fibers into a ball keeps everything from drifting apart and keeps it in handy proximity for spinning.  Plus, it is fun!

 

Finally!  Time to spin!Yarn spun into a “single”.

 

Yarn doubled back on itself and respun into a plied yarn.

 

Ta-Dah!

Final product is a skein as cheerful as a Heartsease!

 

 

*Silk dyes work great on wool!

Color Spinning Exercise

This is a cornucopia of leftover wool roving from various hand-dying and spinning projects we have worked on over the years.  Each piece in this particular stash has been waiting until there was MORE of something or other in order to be finished into a project.   Waiting isn’t as fun as creating.  So, what if . . . ?

What if we create a series of color mixing experiments with what there is now?  With the notion of using this blog post series to play around, we added a step in between selecting and then blending the roving for spinning to cause us to need to use (and choose) colors in a new way before blending.  That step was to make a 3-D fiber illustration first.  We have created a multi-part series based on the steps of spinning these images into yarn.

Our hope is that it will amuse non-spinners, intrigue people contemplating starting wool spinning, and encourage adept spinners to try more ways to enjoy the process.

Before reading the next few blog posts imagine how you would mix these colors (feel free to imagine them mingling with your own stash!)

Comfort Zones

Perhaps you have heard the scolding “just break out of your comfort zone” as a way to battle creative stagnation.  Try this instead – broaden your comfort zone.  Comfort zones themselves can stagnate and need to evolve to catch up with the artist.  Finding your own approach to this process is of course what will put some zing back into your zone.  We have several ways that are such old school classics that sometimes we need to refresh our working design habits so the ideas flow in the future.  The photography exercises that we create for ourselves are part of that process.

In the hottest part of the summer we tend to direct our energy for wool in imagining projects to make in cooler weather.  These daydream projects aren’t meant to go into production in a realistic timeline (or budget), however, the surge of ideas generated in designing those wool projects revitalizes our creativity.  Not all art projects have to bear a deadline or production goal.  It has been very freeing to set up and photograph these temporary fiber compositions since usually our textile work involves very time consuming techniques.  Very quickly these color studies became a playground for mixing textures.

Actually, we have comfort zones, plural.  We invent so many challenges for ourselves there has to be a few oasis type places in our studio work.  We usually find even our wildest ideas rely on some structure found in our comfort zone of design training.

These examples are art school fundamentals that are reliable and a good way to spring off into more daring approaches in both a particular piece of art or a series.

Neutrals:   since we’re working with fiber, for sheep “neutral” means Natural

 

Value scale:  white, light, medium, dark and black make an interesting range.  A monochromatic scheme can be mild or wild.

 

Analogous colors:  any three colors side by side by side on the color wheel can touch one’s moods too.  There is a soothing rightness about the trio.

Of course, other people may dive right into high contrast and/or complementary colors to find their comfort zone.  The point is that being aware of comfort zones can help an artist create them as needed and even notice those zones change as the artwork progresses.  Comfort zones definitely belong in studios!

Yellow, Red, Orange: An Original Pictoral Tale by A. and K. Metcalf

Once upon a time there was a Yellow Sunflower.

Yellow Sunflower had grown with the loving care of its Gardener who protected it from every danger as seed and seedling, marveled at its hourly growth . . .

 

thrilled at the new bud opening. . .

and eagerly watched each petal unfold . . .

 

 

 

 

 

Yellow Sunflower was so occupied with BASKING IN THE SUNLIGHT, DELIGHTING THE BEES, AND GROWING SEEDS FOR THE BIRDS,  that it was oblivious to the special care it received from the Gardener.

What did catch Yellow’s attention was one day overhearing the Gardener’s excitement that there was a Red Sunflower about to open!

“Hey!”, thought Yellow, “Red Sunflower gets ALL the attention!”

 

  The gloominess grew in the garden. 

“Red Sunflower must be very special to get all that attention”,  glowered Yellow, “all I get to do is get a tan, hang with the bees and go to seed.”

 

 

Continuing in the same vein, led to this light green tint of envy:                                “Red flowers probably get to roller skate,

eat ice cream

and watch TV!”

“I want special attention like Red Sunflower!”

Yellow was puzzled about what to do:“You might even say, ‘I’m hueless about how to change color!”

Yellow had an idea:  “wait a minute!  I’ve READ the most recent posts, I know what to do! ” (Yellow Sunflower, being an only recently opened blossom, had never heard of homonyms.)  So, Yellow sampled various ways to change color.

Whew!  Yellow Sunflower was beginning to lose its sense of Self, as though being erased away:

Then, one day Yellow looked around and saw:

Real Red Sunflower was beautiful!  But more importantly, Red Sunflower BASKS IN THE SUN, FEEDS THE BEES AND GROWS EQUALLY NUTRITIOUS SEEDS!

Dawning of realization can occur after sunset for Sunflowers.  For the benefit of those Dear Readers confined to a tiny screen:And then, Yellow Sunflower realized the beauty in the garden was that ALL the sunflowers equally GLORIED IN THE SUN, NOURISHED THE BEES and GREW SEEDS TO SHARE IN THE FUTURE!  Sharing one’s gifts is wonderful of course, but recognizing them in one another is what makes them feel like a gift!  When Yellow appreciated Red’s gifts, Yellow felt special too! Red Sunflower was so occupied doing its own thing that it was completely oblivious to all this drama!

This is a true tale as recounted to us by Orange Sunflower, who was witness to the whole spectacle!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

In Praise of the “UNDO” Button (or, how to succeed while trying)

“Eraser Still-Life”  various erasers from our studios, “Dodge” feature example

While learning about unfamiliar Photoshop options for our digital photographs the “undo” button has become our most used option.  For those unfamiliar with this feature,  it erases experiments so it is risk-free to try out all sorts of new looks for a photograph.  Click on “Edit” at the top of the screen, click on “Undo” when it shows up and Voila! the photograph is ready to try something  else wild.

When clay is going the wrong direction with a project it is a simple matter of rewedging.  With knitting, “tink”* is the new word for unknitting.  With crochet, one tug on the strand and it ravels as if watching animation.  Drawing not making the mark?  Turn the paper over and start afresh.  Is the typewriter spewing drivel?  Zip out that paper, tear it up, toss it in the blender with water and make a cast-pulp sculpture tribute to your Muse.

Creativity is a PROCESS.  Sometimes it seems one step forward and 90 steps backwards.  Well, isn’t that choreography? – ah ha! more creativity!

Is this a clever pep talk about overcoming fear of failure?  Nope.  That is a travail each artist faces solo, usually in the wee hours of a starless night.  This is a nudge to move from “Gee, I wish I could (_fill in the blank_)” to in-it-up-to-your-elbows-invested in your Dream action!

 

COMMENCE !

START !!

DIVE IN !!!

 

*spell it backwards and it will make sense

Recharge Your Batteries

Finally, one day it happens.  Artists need to burst out of the studio.  The pen runs out of ink, the clay is too wet to cast in plaster, the light is not right to photograph the painting.  All those little studio frustrations that normally one takes in stride suddenly overwhelm.  Outside, the sun is shining, birds are singing and most importantly, the pom-pom cherries are in bloom!

Grab the camera and be in the world.  How can they say the artist is only an observer?  True isolation is impossible – the world knows you are part of it and will find ways to remind you.  It may be the way the light shines through petals or a chat with a neighbor.  Bring that invigorating energy back into the studio.  Suddenly those frustrations become small again and very manageable.  Ideas flow and problems feel solvable.

A.  How the camera saw this branch

 

 

 

 

 

 

 

B.  Photoshop Brightness/contrast            C.  Photoshop Autosmart tone